To me, Cut Copy is very similar to mid-80s New Order, but instead of having the drizzly grey of Manchester (and the then-recent death of Ian Curtis) hanging over their sound and seeping somberly into the songs, Cut Copy have wide, sunny expanses of noise, full of love and hope. But the tight, taut electro stuff is very akin to one another, and at times the vocals tread the same territory as well. The sound is very mature and pulled together, despite Cut Copy’s fairly small back catalogue.
In Ghost Colours is the kind of album you can listen to for hours at a time, many days in a row. Trust me, I speak from experience. The fifteen songs fly by, even the shorter, purely instrumental tracks. Nothing feels like filler, and everything flows along nicely. It’s one hell of a party album, so you might want to prepare a dancefloor in your living room.
The loved-up “Feel the Love” starts things off, and the line “all the clouds have silver linings” is quite possibly an apt way to think of this album. Not the cloud part, of course. The knob-twiddling shimmers effortlessly along, and Dan Whitford’s 80s-esque vocals add to the overall good vibes. “Out There on the Ice” is all dance, all the time, bringing in some serious beats and the images of hordes of people flailing about to the music. One of my absolute favorites, “Unforgettable Season,” shines with Whitford’s empassioned vocals and building beats backed by Mitchell Scott’s deceptively simple drumming. And “Far Away,” the cream of the crop, is a delightful little love song that you can dance to.
All in all, Cut Copy came out of the gates at full speed, chomping at the bit, and with guns blazing. And their enthusiasm has been well worth it, since In Ghost Colours is a fine, foxy little album. If you’re into things like fun, dancing, fun, and oh yes, fun, you might want to check it out.