The Fashionably Late Top 101 of 2018: Jorge Elbrecht

2018. What is there to say? It was another year full of terrible, horrible things on a grand scale. But as with 2017, which was also a year full of terrible, horrible things, there seemed to be an abundance of really, really good music. And thank the heavens for that.

This year I had an even harder time coming up with my list than I did for the 2017 version of the list, which is probably obvious given there's 101 records in this year's batch (and that's after whittling about 30 off that total). But I just couldn't leave any of these hundred and one records off my list.

As with my 2017 picks, I've gone in alpha order from A-Z and nothing has a number ranking. Partially, that's because I'm pretty indecisive and it also just feels wrong to do anything other than just share the love equally. 101 ways. As always, the list ended up surprising me. Some records I thought might end up on my list are absent, and happily there were quite a few previously unknown bands that ended up stealing my heart and getting themselves in on the list. I truly hope you'll be reminded of some music you enjoyed last year, and I also hope you'll perhaps find new favorites to swoon over from here on out. My sincere and endless thanks to each and every band/artist on the list, because thanks to them 2018 was a little less insane.

Who: Jorge Elbrecht

What: Here Lies

When: February 2018

Where: Self-released

Why: I was a huge fan of Violens, which means I was already inclined to like Here Lies. The connection, of course, being Jorge Elbrecht himself, former ringleader of that much-missed outfit. On this impressive release, Elbrecht adds his ethereal, skyward vocals to a bevy of dark, gritty new wave-esque noise, perfectly-placed beats, and gloriously messy midnight musings. Here Lies is an incredibly dynamic record that's mesmerizing from start to finish.

[posted 5.2.19]


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